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ELK…

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the best zine on the planet releases the new book “Objects Also Die“…

by JOCKO WEYLAND

“Observe its honesty, dignity, and moral courage; it’s drawn all the necessary conclusions from its own total loss of function. Objects also die my friend. And if they also must die, then that’s it, better to let them go. It shows far more style, above all. Don’t you agree?” So says Micòl Finzi-Contini. Grappling with that question and the necessity of letting go is the motivation behind the panegyric essay “Objects Also Die,” Doug Magnuson’s filmic memorial of the same name, and the two combined along with extra material that makes up Objects Also Die. Designed by Myron Hunt and built in 1920, Los Angeles’ The Ambassador prevailed at 3400 Wilshire Boulevard through innumerable guests, two Oscar ceremonies, one assassination of a presidential hopeful, and countless unrecorded collective and personal histories before being demolished to make way for a school in 2006. Through the prism of the hotel itself, San Diego’s El Cortez and Estes Park, Colorado’s The Stanley, this compendium explores the loss of the Ambassador while delving into the conundrum of dealing with the death of inanimate things that have taken on a life of their own. The draw at The Ambassador was communion with unknowable bygone times and that special stillness pervading rooms no one had been for a long time, a kind of mildly illicit romantic exploration of seductive ruins. Magnuson’s elegiac, calm, dry-eyed yet poetic nineteen minute documentation is accompanied by George Draguns’s affecting and occasionally spooky soundtrack, and the pages herein include Greg Magnuson’s haunting photographs of the beautiful decrepitude that defined the hotel in its last days. F. Scott and Zelda Fitzgerald (and the bungalow they set fire to), the Cocoanut Grove, the Venetian Ballroom are all included, as well as ephemera and mementos related to its seventy-year run, along with special guest appearances by Ronald and Nancy Reagan, Charles Manson, Alice Cooper, Norma Shearer, Art Nyhagen (the hotel’s doorman from 1946-89), and Dominique Sanda and Helmet Berger in Vittorio de Sica’s adaptation of The Garden of the Finzi-Continis.

(ELK 5.15.11)

available at Printed Matter New York City, Desert Island Brooklyn, Family Los Angeles, and 2nd Cannons online…

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