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THE ATLANTIC (11.30.12) by IAN BUCKWALTER
The ‘Universal Soldier’ Paradox: When a Bad Franchise Produces a Great Film
CITY ON FIRE (10.28.12) by HK FANATIC
“Director John Hyams isn’t content to merely serve up your typical action movie dreck. He’s made it his mission to challenge audiences and their expectations of what a film like “Universal Soldier” can do… and it might take more than one viewing of “Day” to truly appreciate it…”
CRAVE ONLINE (9.24.12) by FRED TOPEL
“…intense, brutal and beautiful all at once.”
DEN OF GEEK (12.26.12) by GABE TORO
“…easily the best action film of the year.”
FILMDRUNK (10.24.12) by VINCE MANCINI
New Universal Soldier has Van Damme, Lundgren, Facepaint, and Face Punching
FLICKERING MYTH (11.17.12) by TOM JOLLIFFE
“…Day of Reckoning is a film so intense and dark of tone that, as a Unisol movie, it really shouldn’t work. Hyams though keeps such a tight grip of proceedings, with a good script and engrossing direction, that he never lets the ball drop… it’s actually one of the ballsiest movies out there.”
GRANTLAND (11.16.12) by ALEX PAPPADEMAS
“I love Reckoning’s formal audacity, its pretensions, and its willingness to throw backstory out the window… I wish there were more movies like it, and I can’t recall ever thinking that about a Jean-Claude Van Damme movie.”
IGN (9.25.12) by CHRIS TILLY
“It may not always be successful, but in an age when filmmakers seem happy to churn out the same movie over-and-over again, credit should go to Hyams for mixing up the tried-and-tested formula.”
INDIEWIRE (9.23.12) by ERIC KOHN
Fast and Furious ‘Universal Soldier: Day of Reckoning’ Is One of the Best Action Movies of the Year
INDIEWIRE (10.24.12) by ERIC KOHN
Why the Latest ‘Universal Soldier,’ Now On VOD, Is Better Than ‘Skyfall’
INDIEWIRE (11.28.12) by GABE TORO
‘Universal Soldier: Day Of Reckoning’ Combines Art House Intentions & Strong Action In A Franchise Return To Form
“I relished its off the wall and deep storyline, its trippy audio/visual style, strong acting, insane action scenes and its ‘take no prisoners’ attitude.”
L.A. TIMES (11.29.12) by MARK OLSEN
“…the movie creates something of the sensation of huffing industrial solvents — in a good way! — a waking-sleep zombification that can’t exactly be described as pleasurable but definitely has an odd, distinct power.”
MOVIEHOLE (10.29.12) by JONATHAN URBAN
“…a complex, thought-provoking film, words not usually used to describe a balls-to-the-wall action genre film. In fact, it may be impossible to define it by any one genre as, if anything, it is genre-bending in some of the most unexpected ways.”
MOVIES.COM (11.28.12) by EVAN SAATHOFF
8 Reasons Why ‘Universal Soldier: Day of Reckoning’ Is Among the Weirdest Movies Ever
NERDIST (9.23.12) by LUKE Y. THOMPSON
“It’s no stretch to say this is the best Universal Soldier movie – better to say it’s the biggest cinematic boner your inner (or outer, depending) 17 year-old boy is likely to have this season.”
NY TIMES (11.29.12) by ANDY WEBSTER
Technologically Enhanced Strongman vs. Government Evildoers
SCREEN CRUSH (9.24.12) by MATT SINGER
“…muscular, atmospheric and surprisingly scary… John Hyams has resuscitated a long-dead franchise and restored it to its former glory…”
TWITCH (9.23.12) by JAMES MARSH
Universal Soldier: Day of Reckoning Will Take Your Head Off!
THE VILLAGE VOICE (11.28.12) by NICK SCHAGER
John Hyams Is the Best Action Director Working Today
THE VILLAGE VOICE (11.28.12) by CHRIS PACKHAM
“The melee fight scenes are seemingly conjured into this dark, poo-encrusted world from some other, happier film containing sunshine and magic, in which muscley men grapple and put one another’s heads through walls.”
VARIETY (9.23.12) by JOE LEYDON
“Hyams and co-scripters Doug Magnuson and Jon Greenhalgh reference a wide range of sources throughout… To their credit, however, the filmmakers make mostly clever use of their borrowings, and they play fair: that surprise twist is signaled early on by clues hidden in plain sight.”
“UNIVERSAL SOLDIER: DAY OF RECKONING” 2012 directed by John Hyams; written by John Hyams & Doug Magnuson and Jon Greenhalgh; starring Jean-Claude Van Damme, Dolph Lundgren, Scott Adkins, Andrei Arlovski, Mariah Bonner, Craig Walker and Andrew Sikking
Grand Central Station in New York City is turning One Hundred years old next year…
it will also be screening at the TORONTO AFTER DARK FILM FESTIVAL in October and opening in theaters 11.30.12…
“UNIVERSAL SOLDIER: DAY OF RECKONING” 2012 directed by John Hyams; written by John Hyams & Doug Magnuson and Jon Greenhalgh; starring Jean-Claude Van Damme, Dolph Lundgren, Scott Adkins, Andrei Arlovski, and Mariah Bonner
revisited by Frank Stella…
The Philip Johnson Glass House Oral History Project records the memories and reflections of some the worlds most important architects, artists and scholars about one of the 20th Century’s most influential architects and design legacies — Philip Johnson, the Glass House and Modernism & Leadership more broadly. The Glass House offers a unique context for eliciting memories from people who were Philip Johnson’s friends, students, associates and collaborators.
The first phase of this project, completed in July, 2009, resulted in two short films. Frank Stella: Return to the Glass House, features artist Frank Stella as he explores the grounds and shares his memories while he revisits his work installed throughout the site.
an interview with monster of rock — Timo..!
This Thursday, Spacehog fans fortunate enough to be at New York’s Rockwood Music Hall, will not only be amongst the first to hear live performances of tunes from the upcoming new album, but they will also be there for the debut of Spacehog’s new guitarist Timo Ellis. “Wait, what???,” you might be saying. That’s okay. Take a minute, I’ll wait.
Yessssss, you did read that correctly. There is a new album, As It Is On Earth, due out this May, and joining Royston, Jonny, and Rich, is The Netherlands’ Timo Ellis, who has stepped in on guitar and vocals for Antony, as Antony pursues fame and fortune in film on the west coast.
For those who may be wondering about this fresh face in the band, Timo was kind enough to allow me an interview.
Charlotte: Jonny Cragg once mentioned jamming with you and Sean Lennon back in the summer of 1994. Was this when you first met? What was your impression of the Spacehog guys at that time?
Timo: ..I just remember initially thinking that they were sweet and totally hilarious (and then not too much later that they were making a really great record!!)
C: On your website you list yourself as performer, producer, tv/film composer, arranger, drummer, guitarist, bassist, singer, songwriter, ukulele-r, programmer, visual artist, and graphic designer from New York City, and on your Facebook band page under genre you list that you do it all. Is it fair to ask if there is an instrument, a role in the music world, and/or a specific type of genre that you like best or is that too much like asking a parent which kid they like best?
T: I’m a drummer first but I’ve been playing guitar and bass for almost as long..in recent years I’ve done a lot more composing/ recording/ producing stuff as distinct from really becoming more virtuosic on any one instrument…+ “genre-wise” on a professional level it would probably help me if I really aesthetically refined/ simplified my “brand”, so to speak, but well, I don’t really feel like doing that, frankly!
C: Bands that you are currently in are The Netherlands, Miho Hatori, Cibo Matto, and of course Spacehog. How do you balance your time between various bands and any other projects that you may have in the works?
T: I work at least 12 hours a day, every day IE I don’t have a lot of “balance”. C’est la vie tho, ya know?
C: Thursday, February 16th, you play with both Spacehog and The Netherlands. Is that as exhausting as it sounds?
T: Not in the slightest! It’s gonna be wicked!!!
C: Is it true that you’ve released over 25 EP’s and Albums, including your first solo EP, The Enchanted Forest of Timo Ellis in 2001? What is it that inspires you?
T: I wouldn’t say I’m inspired really; obsessed is more like it
C: How long have you been working with Spacehog? You may be considered by fans to be “the new guy” but in eyeballing your accomplishments, your projects, and collaborations, some with names that have also been associated with other members of Spacehog, is “the new guy” an unfair or inaccurate assessment of your relationship with Spacehog?
T: I’ve only been playing with these guys this year..+ I am the “new guy” so I don’t mind being called that (+ doesn’t it connote being young, or “fresh” or something?)
C: After waiting over ten years, long time Spacehog fans finally got the news they wanted to hear last month, that the 4th album is to be released this spring. The website was revamped and a brand new Spacehog tune and video was premiered. Then holy moley, there was a bit of a shock, as fans realized that Antony Langdon was not in this line up. As Ant’s presence in the band has always been a strong one, there may be some fans who find the idea of someone, anyone, stepping in on guitar and vocals for him to be a bit disconcerting. Does knowing this affect you going on stage, particularly for the upcoming shows, where some fans may still not be aware of the change?
T: yeah…I’m not even caught up in any of that; hopefully people won’t be put off by it fer very long, if at all
C: You provide lead vocals in some of your other projects, will you share in the lead vocal duties with Roy for Spacehog? If so, would this be for some of the new songs, their old songs, or both?
T: yes, both! ..mad fun, it is!
C: The list of other musicians that you’ve collaborated with is quite extensive. So a fun question…. with no limits what so ever, even if a time machine were required, who or what band would you love to perform with?
T: Spacehog in 1996 (+ I was skinnier back then…)
C: What are your interests aside from music?
T: ..the arts!!! food, film, design, politics, history, philosophy…ya know, the humanities/ the usual left-wing stuff
Here’s sending huge amounts of gratitude to Timo for taking time out of his insanely busy schedule to answer my nosy questions! And for those reading this, quick, quick… turn up the volume and click the links below to hear and see the talented Mr. Ellis’s other projects…
an interview with Nick Ferreira…
Nick Ferreira and his lady Kerry recently opened up Amigos Shop in Providence, RI (in addition to Amigos Publishing). Amigos shop will sell Zines, Art, Books etc. I threw some questions at them about it all, so check that out.
Nuno Olivera: How did Amigos Publishing & Shop come to be?
Nick Ferreira: Originally, Kerry and I started Amigos Publishing as a side project when we were living in LA. We just thought it’d be cool to publish stuff that our creative friends made. We never really had any big goals for it and since we both work or go to school or whatever, it was just a fun side project, and continues to be except as a legit business which is interesting and weird at the same time. And as for the shop, it’s something that I’ve wanted to do since I graduated high school probably. Well, some sort of art space that is. Then the first time I went to Printed Matter in New York at its old location pretty much solidified my ideas and real interest for art books and art objects offered in an affordable manner. Also, while living in LA my girlfriend and partner, Kerry, interned at Ooga Booga. Between attending events there and just experiencing the real positive vibe that Wendy, Max, and crew put off, I really saw how important and helpful a place like that can be to an area. A good way to look at it is your local bike shop. The vibe I got from Ooga Booga was always welcoming, similar to the two bike shops I’ve frequented most over the years, Dick Maul’s and Circuit BMX.
NO: What is the goal with the shop, and what will be available there?
NF: The goal for the shop is to offer a large selection of independent publications, books, media, and art objects. We’re not really going to pigeonhole what are goals are too much in the beginning because I like the idea of things sort of coming together naturally and learning from previous things. But we do hope to offer a good amount in the form of release parties, movie screenings, and small openings that use our tiny space wisely. I’m looking forward to working with local and non local artists and, like the zines we publish, our friends who make and are about interesting things. Right now our inventory is pretty small but we will have books and zines published by us, Amigos, Swill Children from Brooklyn, The Kingsboro Press, Hamburger Eyes, Elk, Mothersnews, Teenage Teardrops, etc. We also have a bunch of stuff from various artists.
NO: How did the name “Amigos” come about?
NF: It came about because it seemed like the simplest and best looking name we could think of. We’re about our friends but, friends doesn’t look as good as Amigos. I hate naming things.
NO: For those who are not familiar, give us a little insight into the Zine scene. Even though it’s pretty niche, it is definitely a popular creative outlet.
NF: Well, I’m no expert but there’s a lot of cool stuff going on with zines, and art zines in general. Way more than your sort of stereotypical peace punk, vegan recipe zine. If you have been to the N.Y. Art Book Fair that Printed Matter has been putting on for a few years now, this year especially, the whole third floor of MOMA’s P.S. 1 was taken over by some real awesome and interesting zines. It was so overwhelming. Publishers like Swill Children are doing real cool things in a sort of “zine” format. Their new Peter Sutherland book Worked, is great. Basically, what I’m trying to say is that there’s a whole bunch of things going on with art books and zines right now.
NO: You have been doing Holeshot for a minute, what is it about Zines that gets you stoked?
NF: Just knowing how getting zines in the mail used to make me feel sort of keeps me going and psyched. I also just really like creating this space that is exactly how I want it to look. My knowledge of web based things is limited so I can’t manipulate it as well as I can with print. My interest in zines and art books has also sort of led me to the only normal job I can see myself actually doing, which is a Librarian. It’s super niche and competitive but eventually, and hopefully, someday I’ll be able to work with artists’ books as a special collection. If that doesn’t work out, I’ll be happy to work a reference desk or be a Young Adult librarian.
NO: What are some of your favorite zines?
NF: Elk Zines and Books are consistently awesome. They are like the analog version of a site like Them Thangs but with contributors, images culled from archives, old skate zine covers, and just a whole bunch of ephemera. He also publishes books with artists and writers. It’s pretty awesome and I highly suggest checking it out when you get a chance. Some other cool zines I’ve grabbed recently were a No Age/Brian Roettinger collabo zine. The layout is dialed, its printed on a RISO machine and has letters that one of the band members wrote to Lee Ranaldo of Sonic Youth and in turn a letter Lee Ranaldo wrote back. Also, this series of Fanzines Oliver Payne makes Safe Crackers are sweet. The newest one was a fanzine devoted to arcade tokens and a 12 inch LP was released with it that featured field recordings of arcade games remixed. Prashant Gopal’s Locals Only, which is part of his series called Yo Sick, is one of my favorite newer BMX zines. My all time favorite BMX zine though is Skunk Zine. So raw and basically sums up what BMX means to me even to this day. It was made by some Skunk Bros affiliates in the late 90′s and blew my 13 year old mind.
NO: What can we expect from Amigos Publishing & the shop in the future?
NF: More titles published by Amigos and a constantly growing inventory. Right now we’re in the very early process of working with a few friends on a Black Sabbath inspired sound/print book. We also plan on having monthly events and rotating art installations, for this month we have an installation by Providence based artist Rachel Fae Coleman. April is set up for a surf themed month to sort of help usher summer in. We’ll be showing Point Break on April 20th and having some surf inspired art and books featured.
NO: Thanks, and good luck with the shop! Anything you would like to add before we wrap this up?
NF: Thanks for caring! If anyone reading this comes through Providence we’re located at 200 Allens Ave. Studio 7F (Second Floor), Providence RI 02903. There’s a bunch of sick spots by if that helps! You can also check us out on the web at www.amigospublishing.com.
AMIGOS SHOP will host a screening of
SATURDAY, JAN 28 @ 7pm
200 Allens Ave. Studio 7F, Providence 401.439.9532
appreciating the endurance of a public work…
in the time capsule that is LAX Terminal 3, the mosaic was created in 1965 for TWA to entertain as people made the 400-foot trek to the exit door… the hall was featured in John Boorman’s noir masterpiece “Point Blank” and 30 years later in Tarantino’s “Jackie Brown”…
“The key image in Point Blank is massive Lee Marvin striding down the old LAX corridors like a robot on overdrive…” (Glenn Erickson)
“Point Blank” 1967 directed by John Boorman
“Jackie Brown” 1997 directed by Quentin Tarantino